From day one artwork has always been an important part of the journal. Robert E. Howard had a talent for painting sweeping word pictures with his typewriter, taking us to places and worlds undreamed. So it is only logical that illustrations greatly compliment his work. Below is a sampling of the outstanding artwork that appears in each issue of the print journal.
Scene from “the Footfalls Within” by Bob Covington.
Illustration for “Wild Water: essay by Nathan Furman.
Illustration from “The Lion of Tiberias” by Nathan Furman from his “Heroes of the Historicals” portfolio.
“Sailor Costigan and the Yellow Cobra” illustration by Clayton Hinkle for the REH story.
Illustration from From Bran Mak Morn to Beyond the Black River: The Evolution of the Picts” by Bob Covington
From “Hills of the Dead: A Solomon Kane Portfolio” by Michael L. Peters.
From “Kings of the Night: A Bran Mak Morn Portfolio” by Michael L. Peters.
Illustration of Cormac Fitzgeoffrey by Bob Covington.
Illustration for “Fists of the Revolution” by Jim & Ruth Keegan.
Illustration from “Xthual of the Dusk” by Nathan Furman.
Illustration for “A Touch of Color” by Bill Cavalier.
Illustration for “Reflections on Hyborian Africa” by Joe Wehrle.
Illustration for “The Swift and the Doomed” by David Burton.
Illustration of Solomon Kane by Gene Day.
Illustration from “Pigeons From Hell” by Robert Sankner.
Illustration for “Of Red-Headed Stepchildren & Cojones” by Esteban Maroto.
Illustration from “Black Country” by Greg Ruth.
Illustration of Belit from “Heroes & Heroines Portfolio” by Stephen Fabian.
Illustration from “‘Golden Hope’ Christmas” by Clyde Caldwell.
Illustration for “Echoes from Bal-Sagoth” by Marcus Boas.
THE CHRONICLER OF CROSS PLAINS, ISSUE 2
Illustration from “The Man-Eaters of Zamboula: A Conan Portfolio” by Michael L. Peters.
Illustration for “Soulless and Deadly” by Rafael Kayanan.